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The Exorcism for Bass Clarinet, Piano, and String Quartet

by David Carovillano

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The Exorcism for Bass Clarinet, Piano, and String Quartet is an atmospheric track that could easily form the basis of a filmnoir soundtrack.

What others are saying:

“A fantastic piece, with so much refined ambience. You mention the film noir and thriller, scary… All these emotions/feelings are eloquently present as if the composition was written with a well defined purpose in mind. But apart from the non-musical content, it shows again how masterfully you deal with sound shaping and instrumental techniques. The bass clarinet is simply outstanding and more than realistic both in sound and playing technique and it fits so well here in this context. But the strings (again with a number of exquisite effects) figure adequately in the role of ambience makers without losing any musicality. In one word: great! I enjoyed (right choice of words here???) every single second of it!” – J. Wylin

“That sounds excellent, and it has very imaginative orchestration.” W. Kersten

“I thought it was rhythmically well balanced and orchestrally very interesting. The music was alive throughout, with unexpected color or harmonic changes, so it keeps the listener engaged all the time I could give more intelligent comments after listening to it a few times.” A. Kumar

“There is some haunting music in this along with high drama…Your usual story-telling rhetoric is in fine evidence and takes the listener on an adventure that they can invent as much as you dictate.” M. Hewer

credits


David Carovillano, composer and performer
Rebecca Sajo-Carovillano, mixing and mastering

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David Carovillano Windsor, Ontario

David Carovillano is a Canadian composer of modern classical music for orchestra and chamber ensembles, as well as a concert accordionist with the internationally-recognized clarinet and accordion duo, Acclarion. His music has been played on CBC and NPR in North America, performed by the Windsor Symphony Orchestra, members of the Calgary Philharmonic, among numerous others. ... more

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